Sunday, March 13, 2016

Some notes on the Virtual Worlds Best Practices in Education conference

I haven't attended the VWBPE conference in a couple years (or at least not much beyond a session or two), but since this year it fell on my spring break, I decided that I should do so.

I went to a number of excellent sessions, some in Second Life and some in the Opensim grid Avacon. I also hadn't spent much time in an opensim in several years, and I have to say it's much improved, though still a few years behind Second Life. (Of course, I do admit that some of that could simply be my level of skill with Opensim!)

Even so, from this year's conference, I could tell that the work in and excitement surrounding the use of virtual environments has escalated. The last few years have been rather bleak in many ways for teaching in world--from Linden Lab's abandonment of support for educational institutions (though it has been reestablished), to the larger culture's gaze at MOOCs as the shiny new thing (until the success rates of single digits became known!), to the adoption of mobile devices as the go-to place for online engagement especially among young people. But now with the feverish hyping of virtual reality head sets (I have a Google alert for "virtual reality" and get a dozen + hits a day) and the growth of Minecraft, it seems that recognizing the value of virtual environments in education is beginning to rise out of the trough of disillusionment in the hype cycle that Gartner has been publishing for the last few years. I heard, in fact, during the conference that in Virginia virtual worlds are now a required part of the tech standards that students need to fulfill in K-12.

So here are some notes about sessions I attended:

Virtual Worlds and Transactional Distance in Higher Education Online Courses – a Student Panel

This was my favorite session, where online students discussed their experience with using Second Life as a class meeting place during their online course. During the beginning of the course, the professor had them try a session in a virtual web conference program and then one in Second Life. They then chose which to continue meeting in. They all chose Second Life, and apparently this has been the overwhelming choice for a number of sections. The reasons that the students selected the virtual environment was because they felt like they were in a class with other students and the professor, rather than the more flat (their word) experience of talking heads in a web conference.

Of course, this was something that really interested me since I experienced much the same thing when first interacting with others in Second Life. There was much more a sense of being with others than I had experienced in 2D web interactions.

Ebbe Linden speech

The CEO of Linden Lab spoke for an hour giving educators an update on the improvements taking place in Second Life (most interesting to me, an upgraded browser in media on a prim), and on the development of Sansar (or as some call it SL2). He stated that both platforms will be operating separately for years, that SL users will likely find Sansar not as feature rich as they are used to (which prompted me to question in chat why then would we be compelled to move--which was not answered), but that it would ultimately have in-world building capability, though initial building will take place with third-party programs.

Here's a video of the talk presented on Daniel Voyager's blog if you'd like to see it. And here is a more robust summary on Jo Yardley's blog.

OpenSimulator Featured Panel at Avacon and Stephen Downes' keynote

As I mentioned above, this is the first time I've spent any time in opensim grids in several years. I have avatars in Jokaydia grid, Third Rock and OS Grid. Only the latter would allow me to hypergrid to Avacon, and it worked great.

The sessions went smoothly, though I can't say I'm a fan of Teamspeak as a separate voice platform, even though, to be fair, it worked fine. And no shadows--everything looked much flatter than in SL, but again that could be because I'm not familiar with any particular settings I should have set up.

It was great hearing from the featured panel about the projects being worked on in opensim grids by educators, and about the problems and improvements that are needed (primarily focused on communicating with others what they are doing--quite a shout out to Google+ by the way--and smoother hypergridding). And Downes' keynote was interesting, though I'll just give you a link rather than noting any take aways, mainly because I was struck more with the venue than what was said.

If hypergridding becomes as smooth as teleporting in SL and if the number of events/exhibits become readily available for writers and undergraduate scholars, I would seriously consider moving.

Karl Kapp keynote

Kapp's keynote was entitled "Reaching the Engagement Horizon in Virtual Worlds: Crafting Engagement Through Games and Gamification." I've never been a fan of gamification, but his work that he presented was intriguing. Though rather ironic--his main point is that active learning and activities is the best way to learn in virtual worlds, as he lectured at us for an hour!

A couple take aways:

He noted that when we use 2D web communication like Skype, we are very aware that all participants are in different locations, that there is a distance between us--we can hear sounds from different places and/or see images from different rooms or venues. However when we meet in virtual worlds, we are in the same place doing the same thing.

This is something I've long noticed about virtual worlds, that when avatars meet, there is an intimacy (a word that came up during the conference that I had never thought of but is quite apt) that arises, a sense of person, that does not take place in 2D conferencing venues. Don't get me wrong--2D communication through audio and video is great, but the disembodied heads floating on a screen separates rather than brings together participants. The placeness of virtual worlds creates connection that I've still yet to be able to explain.

One other take away: We learn from games not because they are fun, but because they are interactive.  (Though it seems to me that fun does motivate game playing! If it's not fun, players won't interact!)

At the student panel, I had asked them the part that a sense of place contributed to their choice of 3D or 2D meetings. At first they didn't quite get what I was asking, but they mentioned that Second Life was more fun, and not in the sense that they were playing a game, but more so that just seeing others in different avatars, in different environments, was much enjoyable, lightening the very serious work that they were doing as a class.

The week prior, I had my creative writing students go on a field trip. They were studying setting in fiction, and I asked them to go find sims that corresponded with their settings they had been creating in stories and poems. One group came back with animal balloons; they had visited a zoo sim and were quite excited about the animals (and balloons) they had discovered.

So I'm still not sure how far I'd want to go with gamification, though I think definitely a sense of play at some level is valuable with learning, and I've found that interaction and fun are definitely valuable with online courses in virtual environments.

There were other excellent sessions, and it was great to hear what has been going on with the Virtual Pioneers and Caledon Oxbridge, but this blog entry has gotten long enough so I think I'll stop here.

One other thing, though--in the process of participating in VWBPE, I learned about, and tried, a couple of other virtual worlds, Edorable and High Fidelity. Both are not ready for prime time (not even for late night) but were intriguing to check out. The developer of Edorable claims that his media board is entirely synchronous, that what the instructor does on the board is seen by the students, just like in a face to face classroom--even with password protected sites. This sounds quite promising!

Now, really, I'm done. I guess that's what you get when I haven't blogged in a while!

Tuesday, June 09, 2015

Virtual Worlds 2.0: High Fidelity and Magic Leap

This morning I watched a couple videos from the MIT Technology Review's EmTech Digital conference that took place on June 1-2 in San Francisco. The first one was with Philip Rosedale--the founder of Second Life--talking about his new-virtual world company High Fidelity: The Quest to Put More Reality in Virtual Reality | EmTech Digital 2015 | MIT Technology Review.

This new version of a virtual world allows for the presentation of facial expressions that match actual facial expressions of the human driver: if you turn your head, smile, blink, blow out your cheeks, your avatar will do the same. It's also going to run on anyone's computer/server with an easy upload and naming of virtual world URLs, low latency (when you say or act, it takes place with no lag to speak of), and will interface with a variety of interfaces, from laptop, to Oculus Rift, to HTC Vive, to HoloLense to Magic Leap. The company is also working on making access to the virtual world beyond the keyboard and mouse. More natural, haptic, using hands to manipulate objects in world rather than coordinating a keyboard and mouse. And it will also have two similarities with Second Life: the capacity to build in world and a marketplace.

He discussed the use of the virtual world in education: "One of the areas we think virtual reality, particularly head mounted displays, is going to have some of its amazing early impact in virtual worlds is in teaching. If teachers can create learning spaces that they can invite students into and those students can look the teacher in the eye and be present and be aware and be attentive we think it's going to have a radical, accelerating impact on the online teaching that we're already doing today." He also mentioned later the idea that teaching and teaching-like experiences will be more immersive, such as having a discussion.

Of course, the sense of presence in an online class is something I've been exploring for several years in Second Life. Would the changes he mentions above add to the immersiveness of a class discussion, the sharing of writing, the participation in field trips or virtual world excursions?

I think so. Especially facial expressions--looking naturally at each other in the virtual environment--would add tremendously. Head-mounted displays would make it so that you could look at each other rather than manipulating mouse and keyboard to have your avatar move its head (which most students don't at all do!).

But that seems down the road a good number of years for most students because of the expense of head mounted displays and other haptic hardware. The biggest issue is latency and smooth, uninterrupted connection to operate the virtual environment. When students have a glitch-free experience, the interaction, social presence, immersiveness is much stronger. When they are constantly fighting lag, slow rezzing, jerky avatar movement and such, then the presence goes out the window.

In the last couple years, the stability of SL and the ability to access it with student computers has been much improved. Adding more tech-heavy stuff, like a head-mounted display, would take us back to glitch-land, at least in the beginning.

But even so, for an online class, students with a head-mounted display would have to be able to operate a keyboard, to be able to type onto a notecard in world. Last month for the first time, I tried the Oculus Rift and found that  the use of the keyboard or mouse was difficult because I couldn't look down to see it. Being able to do so would be necessary, or being able to access a virtual keyboard in world might work.

The other video session I watched from the EmTech Digital conference was about Magic Leap10 Breakthrough Technologies 2015 - Magic Leap. The nearest I understand the product being developed is that it creates virtual images not through stereoscopic head mounted displays (think the old View-Masters) or other 3-D stereoscopic glasses used in 3D movies (in essence how Oculus Rift and other head mounted displays work), but through a light field that is projected onto your eyes, much like how we receive light in the actual world. And the idea is that it can blend imperceptibly with the light of the actual world simultaneously, creating a digital/analog augmented reality.

An augmented reality display, like Magic Leap (or Microsoft's HoloLens) might improve the problem I mentioned above, that of being able to see one's keyboard in order to write, an important necessity for courses that involve lots of writing. But would they keep the sense of presence that a virtual environment offers, blocking out the pile of laundry on the sofa, or the barking dog in the back yard (not that current iterations do a good job with the latter!) The whole idea of presence with the professor and other students in real time in a shared space is what needs to be preserved and even more so enhances with these new ventures into virtual reality, at least when it comes to online education.

Sunday, March 15, 2015

New mesh avatars

(Written in September 2014, edited/pictures added March 2015)

The semester has just begun, and I'm pleasantly surprised with the gratitude I've been seeing with students, unsolicited. I get thank yous from students, sometimes at the end of semesters, though, there have been years when such is not expressed.

But this very first week, I've had several online students thank me for the checklists I set up for the weekly work, and for the helpful organization of my Desire2Learn site and with my online assignments. And emails thanking me when I send out reminders.

I'm not saying this hasn't happened before. But it just seems to be taking place more frequently, especially in the first week, than I recall taking place in previous years.

But that's not really what I want to focus on with this entry.

Linden Lab last May introduced new standard avatars that use mesh rather than prims for skins and clothing. Fitted mesh makes the avatars look more realistic than the previous default avatars, which are still available, but labeled "classic."

So, that sounds beneficial for new users, such as students starting a new semester. Yeah, well, not so much.

Here's the problem. They are very difficult to alter. One of the tasks that I have students complete for their orientation is to grab some free stuff at the Virtual Ability Island and try some new clothes or accessories.

Doing so has never been a problem in previous semesters. The instructions Virtual Ability Island display are clear and easy to follow, and the avatars are easily manipulated. Furthermore, I gave them the opportunity during an early scavenger hunt to go grab some free clothes, hair and avatars at the University of Cincinnati Bookstore (which has since disappeared :(.

This semester, though, was problematic. With these new avatars, changing shapes and clothes is very difficult. Students found it near impossible to manipulate their avatar and make it their own.

Now, I'm not having them change their avatars for spurious reasons. Based on my experience, and on research (more later... meanwhile, here's a more casual but interesting blog posting in Scientific American: "My So-Called Second Life: Are You Your Avatar?"), residents who bond with their avatars become more invested in them, connect more fully with them, and thus have a richer experience in world. And for an online class where we meet two hours a week minimum, that's really important. When the class begins to become stressful (and it always does--it is college, mind you!), students who are comfortable in their virtual skin are much more likely to stick it out and use the class meetings to their advantage.

Next semester, I think I'll have everyone grab the classic avatars, until the mesh ones are ready for prime time.

Update: Spring 2015 semester, I did ask students to go classic, and the customization of avatars during orientation went much smoother.

Thursday, January 03, 2013

Face-to-face immersion

(Note: this blog posting started over a month ago, so it's really a middle-of-the-semester reflection rather than an end of semester wrap up. I expect to do such a posting soon.)

A couple weeks ago, I was sitting in an English Department distance learning committee meeting, where my chair, Rick Reagan, said something that really caught my attention: "Many students just have to realize that online learning is not an immersive experience like face-to-face learning is. It's mostly asynchronous and on your own."

What caught my attention was the idea that f2f is immersive; although subconsciously I recognized such, I never thought of it in those terms. What makes the f2f classroom immersive? It seems to me there are at least three things: real time interaction, spatial proximity and manipulation of objects with others in that space.

Now, online learning, especially traditional, 2D online learning at LCC, is mostly asynchronous interaction. Synchronous can be included but is not used much on our campus. Proximity does exist at some level with a 2D learning management system (LMS) like the one we're currently using, Desire2Learn, in the sense that everyone sees text/organization/colors much the same in the computer browser window. In other words, there is a similar look and feel that everyone in a class experiences.  But clearly not a sense of space, of being somewhere. And there is no manipulation of objects in the same space. I guess you could do something similar with Google Docs, editing, manipulating, writing on a document together. But nothing like looking at a sheet of paper shoulder to shoulder, or passing a notebook from one person to another, or even looking at a projected screen together.

Don't get me wrong--there are other criteria, and a quick web search will give us articles about immersion in film, games, virtual worlds, whole room virtual reality simulators and so on.

But to make a class immersive, in a typical f2f way, seems rather simple: real time interaction, spatial proximity, and manipulation of objects with others in that space.

And his point, one that is so for most online courses, is that students just need to realize, it ain't there, when it's an online class.

However--and you know where I'm going with this, don't you!--we shouldn't settle with a lack of immersion for online students.

It's true that some are fine without immersion in their educational experience. They want to get in to read stuff, watch videos, write papers, take tests and move on their merry way. They'll tolerate some interaction, but they don't really want it. I remember many years ago, one of my first online students did a paper on being in a virtual community with our class, and arguing that the interaction with others even though we couldn't be in the same place, made the learning more enriching than an online class without such interaction. She interviewed class members, both in our class and others she was taking. Some agreed, but some didn't, saying that interaction, community in learning, was great but took too much time, and they just wanted to get in, do the work, and get out. In other words, they'd much prefer a correspondence course.

But the thing is, many students take online courses, not because they want a correspondence course--a solitary learning experience--but because of a number of issues that keep them from coming to campus. In other words, they'd prefer a f2f class where immersion is present, but they can't attend such a class because of distance, lack of transportation, inability to leave home because of a disability, illness or small children, and so on.

Consequently, for many online students, being able to experience a regular real-time class experience, in a common place where they can interact and even manipulate objects with others is beneficial. That's the reason why I have been exploring the use of a virtual environment with my classes, to give students an experience where they have a much more sense of community, working with others, with me, in a place that creates immersion, or at least affords the opportunity for immersion. It's often clunky. It's often less than ideal. But it's light years ahead of 2D interaction.

An example: a few weeks ago, my WRIT 121 class met during our regular Thursday evening meeting. I had asked them to bring working theses for the essays they were working on so they could share and discuss and hopefully improve their main points to make them more focused and more insightful for their upcoming essay.

Here's how one student described the experience afterward on a discussion forum:
While I enjoy taking online classes (this is my third), the face-to-face approach works better for me and my learning style. I like the personal interaction. Even in the virtual world of SL, last night toward the end, Prof. Dan asked us to briefly share our thoughts about editing our thesis and narrowing our focus so we can write a 1,000 word essay. Even though the exchange of ideas happened in SL, they were using voice and therefore it was almost like a phone call conversation (in my opinion) that we could all hear. One person shared hers and Prof. Dan asked a few questions and provided some feedback. I also made one brief statement that he turned into a question for her, and it made me think about how the thesis could be reworked.

This rambling comment is meant to summarize this point: Even in the virtual world, voice-to-voice communication with a teacher (while still not "in person") is, in my opinion, better for me as a student than just receiving an assignment online, doing the work, and submitting it online.
So interacting in real time, in an immersive virtual environment, gets this student closer to what she sees available in what my chair would call an immersive f2f class. And she is in no wise alone.

Besides--where else can you ride a racing slug or come to class as Jack Skellington!

Wednesday, September 26, 2012

Summer author interview and the fall semester begins

This summer I published a story cycle of urban fantasy/magical realism, the Annunciation of Jack, which you can purchase on Amazon or Barnes & Noble.

Also, I was interviewed by Alexander Zoltai, who manages events at Book Island in Second Life. Last spring semester, some of my creative writing students attended his book chat and he was intrigued with the work I was doing with students in the virtual world. It was a short interview, but I enjoyed meeting Alexander, and chatting with him.

You can access the interview at

Meanwhile, this semester has been quite a challenge. Everything changed--our department offices, our learning management system, even my virtual space in SL since Angel Learning Isle is no longer being supported by Blackboard. I'm now holding class sessions on MCCAVLC Island (Michigan Community College Association Virtual Learning Collaborative). The director agreed to have Angel Learning Isle in essence moved over, so much is the same, though I had to restore all of the tools I need, from the class area, to my office to the sky areas where I have students do small group work.

The good thing about the move is that I have more administrative rights at MCCAVLC Island (thank you, Ronda Edwards!), so I can send clutter back to owners, I can ban griefers (though I've only had one the entire time I worked on Angel Learning Isle), and my teleporters work when they didn't on Angel Learning Isle.

As I've mentioned before, I use sky platforms for small group work. In a f2f class, if I want students to do an activity in small groups, I'd send them to different corners of the room. In the virtual environment, though, you can't be nearby because text chat or voice bleeds into each other. So I set up sky areas hundreds of meters in the air that are far enough apart so the groups don't hear each other. On each sky area, I have a table, and three media share boards, where students can read my instructions and write with each other on Google Docs.

Before, I had landmark dispensers in my class area, where students would grab a landmark and then teleport to the sky area. I always had a couple students have difficulty with the steps involved. Now, with teleporters, all they have to do is right click and teleport. So starting students up with small groups has been much smoother and quicker. I did, though, have one student have some problems with the teleporter! I ended up going to the sky area and then send her a teleport to join her group.
Anyway, so far, the semester has gone relatively smoothly. Students enjoyed the scavenger hunt where they get used to the virtual environment by riding bikes, parachuting, petting a dog, riding a merry go round, and dancing on Dance, Dance Revolution! Interesting, though, that the most popular tasks  were lying on a lily pad and watching the dolphins play in the water--more than one student commented on how peaceful they felt when doing so.

I've found that making sure students do a scavenger hunt, particularly when they work with a partner, is the quickest way to get them comfortable interacting in the virtual space so that they can concentrate on our school work in future weeks. And also, meeting as a whole class. Small group chat sessions can be effective for some classes later in the semester. But having students meet weekly, like a f2f or hybrid class, really goes a long way to cement them into a viable writing community where they can work together effectively in becoming more substantive writers.

Can such be done in 2D environments like our new learning management system Desire2Learn or through a web conference like Adobe Connect? At some level, yes. But the immersive quality of being in a place (not on a 2D screen of text and video boxes) does something for most of us, helping us to connect with others.

The other night after a class session, one of my students just burst out, "Well, see ya, I've just gotta fly!"

And another quotation from a mother taking first year composition. Her kids were watching her interact with us during class and she started laughing. "My kids say it is not fair I get to go to class like this!"

Nobody ever said that about Angel or Desire2Learn!

Monday, August 27, 2012

Virtual career fair?

I just ran across this article from the Lansing State Journal about a virtual career fair:

What caught my eye was this passage: "On Sept. 26, Pure Michigan Talent Connect will host the MiVirtualCareerFair, an online event where job seekers and Michigan employers can interact with each other in a live 3D environment." So I went over to the web site at to see what this 3D environment was like. You can see a video at that shows you the "3 D environment" which is basically a browser-based 2D site with static web pages of "virtualness." I was hoping to see something like SL, Jokaydia Grid, Cloud Party, Kitely, or Jibe.

There are avatars to speak of, but they don't appear to move, at least they don't in the video, and you'd think that would be a clear selling point of the virtual world (a term used more than once in the video). Instead, it looks like you can click on images or avatars and then read text or engage in a text chat with those in the "the virtual world."

So for those of us familiar with virtual environments like Second Life, this virtual fair, deemed as "the State of Michigan's hottest new way to find exciting jobs," instead looks like a throw back to the early 2000s when I remember seeing one of the first online courses taught at a "virtual campus" with a crude web page of drawn buildings that you could click on to access course materials/activities.

Why is that? First off, it's browser based. So that means most computers/tablets (though sorry iPad, flash is used)/smart phones can access the "virtual world." Second, the learning curve is much less steep than what one first encounters with a truly immersive virtual environment. Pop up text windows, video, text chat, some Skype appear to be used. Even so, the web site includes a 24 page PDF file for job seekers with instructions on how to participate:

So even though the virtual career fair is not nearly as immersive as some of us are used to, it does point out that the desire to do work in a virtual environment is still alive and well, in spite of the "trough of disillusionment" that virtual worlds seem to be in (see Gartner's most recent report at But the need for ease of use (or as close as you can get for a complex 3D world), and access from typical tech, not just high end, is paramount for use by other than first adopters.

It also shows us that bringing student into virtual worlds--when doing so makes sense given the nature of the class and the nature of delivery--is preparing them for virtual environments that will likely be a part of their work world, if not now, then in the near future. Something very important to colleges and universities right now, especially community colleges.

Wednesday, July 11, 2012

A digression: publishing a book

For a number of years I've been shopping a book-length work of fiction, The Annunciation of Jack, to publishers (very few since most don't take on unsolicited queries) and agents. I've got a smidgen of positive feedback, but mostly boilerplate "Dear John" letters telling me that they would not publish/represent me.

Every summer, when I have a little time to breathe from teaching, I'll send out another scad of queries to agents, and was planning to this summer. However, I soon realized how tired I was of searching for an agent. I either had to devote more time to it (which I am not willing to do), or go another route.

Over the last couple years, self-published ebooks have exploded onto the scene. As this article in the NY Times notes, Amazon is selling more ebooks than print. Now, many of these are from traditional publishing houses. But Amazon also offers any writer to publish his or her manuscript for sale. I've always avoided self publishing for two reasons--writers had to pay for the books being created, and it was often just a vanity publishing event. Only those who weren't good enough to snag an agent/publisher self published.

But two things happened in the last couple years that suggested I needed to consider self publishing through Amazon (and Barnes & Noble). First off, I read Stephanie Meyer's Twilight. It had been a favorite of several in my writing the novel classes, and it was very popular, so I decided to read it. I was horrified. It was the most poorly written book I had ever read (even worse than Danielle Steele's The Promise, which I could not finish for an Adolescent Lit class at CSU, Stanislaus!). Having studied fiction writing and worked with new writers in my classes for many years, I could recognize that Meyer had no clue what she was doing when starting the novel, but by 3/4s of the way through began to get an inkling of characterization, plotting, pacing and such. Not unusual for a new writer. A good editor would have said, take the first 376 pages (377 being the first page where something interesting actually happens), boil them down to 40-50, and then move on. Instead, they published as is, and I could imagine the cynicism dripping from the publishers--the audience consists of preteen girls. They won't know any better.

The second thing that happened is that earlier this summer I read a blog post by Jessica Park, "How Amazon Saved My Life." In it, she describes the process of trying to get her novel published traditionally, and realizing how poorly the current state of traditional publishing treats writers, so she launched out with releasing her book through Amazon Kindle Direct Publishing.

OK, a third thing. Unlike a vanity press, a writer does not have to pay to publish through epublishers like Kindle Direct Publishing, or through B&N's PubIt. It's free to upload and offer the book for sale. And the writer gets most of the profit from any sales (70% from Kindle, 65% from PubIt). Yes, any promotion needs to be done by the writer, but that's become more and more the case with traditional publishers unless you're a big name.

I knew that my book The Annunciation of Jack would be a hard sell. It's not technically a novel; more a collection of stories, novellas, and a short novel, all interlinked: hence I call it a "story cycle." Some agents who've looked at the query and sample chapters consider it a young adult novel, and yet significant sections of the book are focused on adults--parents, a middle-aged broker, and a senior citizen. The book mixes the realism of illness with the innocence of Norman Rockwell and Frank Capra, the seriousness of cancer with the humor of a bumbling real estate broker and a sarcastic teenager. And it mixes the magical realism of Marquez with the epic fantasy of Tolkien. Finally, it draws on Christian imagery, yet also plays with imaginary situations that some fundamentalists/evangelicals would cringe at (or as Pastor Walters would say, "That's theologically preposterous!"), not to mention Native American religious imagery (though more imagined and rigorously researched). And horrors, it includes a smattering of bad language (face it, how else would a fallen angel talk?)

But I also know that many readers will have a rip-roaring time following the lives/adventures of ordinary characters living in a Northern California town (an amalgam of Concord, Martinez and Pittsburg) of the early seventies who struggle with major life issues both in our realm, and in other parallel realms with Christmas, angels (Marasim and a cherub), demons, evil hags, beautiful and treacherous harpists, a maniacal evangelist, a bear god, the Raurjan, sea serpents (kraken), Spider Woman, 300-year old monks, Wolwoni Native Americans, ghosts, Thunder People, the Oakland Auditorium, toads, carnival attractions (especially ones with mirrors!), reed boats, an amphibious '54 Chevy Bel Air, the San Francisco Bay, Angel Island, Tamalpais,  elves (Morlienya), Faerian drama, ocean, beach, snow; oh, and some pizza and beer. There's even a kitchen sink (a very dirty one!).

So, I've made The Annunciation of Jack available at Amazon and Barnes & Noble as ebooks, which can be read on the Kindle or Nook (or any ereader that will take on the ePub format from Nook), iPad, iPhone, iPod, Android phones, or any computer. I will also make the book available for on-demand printing through Amazon's CreateSpace should you want it in a more traditional format (the file/cover are under review).

I'm not planning on doing a ton of marketing/promotion. I don't have the time for such. But I do want to make the book available for those who would like to have as much fun with these characters and situations as I've had for a good number of years!

7/19/2012 update: here's the link to the print on demand version of the book: